Kingfishers are among the most heavily protected birds in the UK. They are listed on Schedule 1 of the Wildlife and Countryside Act, which means it is an offence to intentionally or recklessly disturb them at, on or near an active nest. That legal protection exists for good reason: a kingfisher nest is not a neat cup in a hedge but a tunnel up to a metre long, bored into a vertical sand or earth bank, usually above water. It is fragile, and the birds inside it are easily pushed into abandoning eggs or chicks.
The good news is that the best kingfisher photographs are not the closest ones. They are the ones taken by somebody who has read the river, chosen a sensible distance and waited. Fieldcraft will beat gear every single time.
Start with binoculars and a scan of the water from well back, rather than a walk along the bank. Kingfishers choose steep, exposed faces of sandy soil or soft earth, often where a river bends or where an old landslip has left a clean vertical face. Look for:
Note the position from a distance, then leave. Do not cross the river to inspect the hole, and do not linger on the bank. A kingfisher that sees you standing outside its nest may not enter for a long time — and on a cool morning, every delayed feed matters.
A long lens is genuinely useful. Something in the 400mm to 600mm range, ideally with a teleconverter, lets you stay comfortably back and still fill the frame. But that is about the limit of what money buys you.
Crop-sensor bodies give you useful extra reach for this kind of work, and a fast burst rate helps with the explosive dives. But a modest kit used patiently will outperform an expensive one used badly.
The most effective position is a hide set up well back from the bank — often with the river between you and the nest. If you can establish it over several days in the closed season, so much the better; kingfishers quickly become used to a static object that has always been there. During the nesting season, though, your visits should be few, short and predictable in the least useful way: don't turn up at the same hour every day.
Approach low and from the side, never silhouetted on a skyline. Avoid standing directly in the flight line between perch and burrow. Once inside, keep movement slow and small. Kingfishers tolerate stillness and ignore shapes; it is sudden motion and the outline of a human head and shoulders that send them away downstream.
This is the part that separates a good photograph from a damaging one. Watch what the bird tells you. If a kingfisher perches nearby and stares at your position, bobs repeatedly, or gives a sharp series of alarm calls, it is not settling. If it hovers or turns away from the entrance instead of going in, or if it repeatedly lands and leaves without entering, your presence is costing it something.
The instruction is simple: back away immediately, and do not return that day. If you find you have flushed a bird from the immediate nest area more than once, leave the site entirely until the young have fledged, which for kingfishers is usually around three to four weeks after hatching. Nesting generally runs from March through to late summer, with second broods in good years.
If you are not operating under a licence from the relevant nature conservation body, the honest answer is that active nest photography is not for you. That does not mean giving up on kingfishers. It means photographing them where they are relaxed: on a favoured fishing perch away from the bank, at a weir pool in early spring during courtship chases, or in autumn, when young birds are naïve and hunt from regular, predictable spots.
Set up a perch on a quiet stretch well away from any bank, sit still for an hour, and you will learn more about kingfisher behaviour than a week at a nest ever teaches you. The images will be better, too — relaxed birds preen, stretch, dive and swallow fish in full view. That is the real trade: a little patience, a lot of distance, and photographs you can be proud of without ever having troubled the birds that made them possible.
Simple safety rules, suitable clothing and gentle observation can turn a family stroll beside a brook into a memorable nature lesson.
I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
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I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
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I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
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I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system
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